2 hours ago · Writing · hide · 0 comments

Arthur Machen isn’t usually considered to be a Decadent author even though it was in the Mauve Decade of the 1890s that he first established himself as a writer. Machen knew Oscar Wilde well enough to recount an anecdote in later life, and two of Machen’s earliest books were published with covers designed by Aubrey Beardsley. But Machen outlived Wilde and Beardsley and all the other writers and artists who expired prematurely around the turn of the century, while Machen’s 20th-century stories are now so enmeshed with the evolution of weird fiction that the world of the weird has claimed him as one of its own. The Greenwood Faun is a novel by Nina Antonia which plays with both these phases of Arthur Machen’s career. This is a ghost story to some degree, in which the shade of Decadent poet Lionel Johnson wanders the streets of London in various stages of corporeality, as well as a tale of the dysfunctional Hartington Leacock-Jones family whose entanglements with a mysterious book—The…

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