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Self-portrait (1650). Weeds and briers reigned, and furtive wild things rustled in the undergrowth. Upon everything was a haze of restlessness and oppression; a touch of the unreal and the grotesque, as if some vital element of perspective or chiaroscuro were awry. I did not wonder that the foreigners would not stay, for this was no region to sleep in. It was too much like a landscape of Salvator Rosa; too much like some forbidden woodcut in a tale of terror. HP Lovecraft, from The Colour Out…

Heaviness of Sleep (1938) by John Armstrong. • Suntup Editions are reprinting two stories by Arthur Machen: The Great God Pan and The White People will be presented together in a single volume, with corrected texts printed in letterpress. The book will also feature eight tipped-in lithographs by Flora McLachlan, and an afterword by Henry Wessells. • “While it mines much of the same material found throughout the horror genre, The Shout belongs to a parallel cinematic lineage—more art-house than…

Writing about Evoluon a couple of years ago I mentioned my affection for all those one-off Space-Age constructions with suitably science-fictional names: Evoluon, Skylon, Atomium, Space Needle… You could add Futuro to this list, a micro-building in comparison to the latter pair, with a similar flying-saucer styling as Evoluon. Futuro wasn’t a one-off design, however, but a prefabricated dwelling intended for mass production. The original plan by Finnish architect Matti Suuronen was for a…

Appearing on Spanish bookshelves this month is Los mitos de Cthulhu, a 576-page story collection which I spent the first six half of this year illustrating. This is my third illustrated Lovecraft for Editorial Alma, with an introduction by ST Joshi and translations by Jesús Cañadas, and is easily the biggest to date in both size and page count. The book is a hardback with an obi strip, and includes a feature which Alma have been applying to other titles in this series, with a single…

Amber Light, a print by Phil Greenwood. • “When I heard the term industrial music, I mistook it for techno and soon learned it was not.” Steven Heller talks to Chris Grimley and Alan Rapp about Industrial Music/Graphics: A Visual History of a Movement. • Halloween approaches, as does Ghosts on the Cam. Editor Robert Lloyd Parry talks to Swan River Press about his latest story collection. • There we were, and we could be naked”: Stanley Stellar’s photographs are a record of gay life in New York…

Presenting my latest cover illustration for Swan River Press, and another story collection edited by Robert Lloyd Parry: Ghosts on the Cam is the third in a series of linked anthologies. Ghosts of the Chit-Chat (2020) collected supernatural tales by members of the Cambridge University Chit-Chat Club, of which MR James was a leading light. Friends and Spectres (2024) looked more widely at works by MRJ’s friends outside the club. In the present volume the authors’ personal connections with MRJ…

In which orchestral conductor Simon Rattle explores a century of music in much the same way that Robert Hughes explored a century of art in The Shock of the New. Or almost… It’s unfair to compare this more modest TV series to a landmark which was shot on film and with a budget large enough to allow Hughes to present his art history from locations all around the world. If you’ve ever felt in need of an intelligent introduction to the challenges of orchestral music then Leaving Home is the ideal…

Peacock Mandala (no date) by Judith Drury. • A few links related to my own activities this week. Firstly, the mix of the week is a guest mix I put together for The Invisible College. I haven’t made a properly mixed mix for a while. This one was made with Audacity, an application that’s free, open source and multi-platform. Secondly, there’s the news that Ghosts on the Cam, another collection of spectral tales compiled by Robert Lloyd Parry, will be published by Swan River Press in December.…

I suspect that if Sándor Reisenbüchler had been French, say, rather than Hungarian his animated films might be better known today. Panic (1979), like Moon Flight (1975), is another of his short exercises in Pop-art science fiction, a rush through a series of vivid and hyperactive scenes where everything is flattened and stylised, often to a point of abstraction. Panic, as its title suggests, is an especially frenzied piece in which three of the humanoid creatures living on a small island are…

These are actually La Fontaine’s fables illustrated by a British artist, Percy J. Billinghurst, but I try to avoid unwieldly post titles that mix artist and writer. There isn’t much of a biographical record for Percy Billinghurst, and what records there are don’t agree about his birth and death dates which are generally given as 1871—1933. One thing that is certain is Billinghurst’s fondness for drawing animals. In addition to this volume he illustrated a book of his own, A Hundred Anecdotes of…

Mushroom Lady poster (1967) by East Totem West. • “I want to be able to hear the process happening throughout the sounding music.” Composer Steve Reich talks to Flora Willson about his long career. More Reich: live performances from 1976 by Steve Reich and Musicians of Six Pianos and Music For Mallet Instruments, Voices And Organ. • At Aeon: Eric Leas on toadstools and toxins. “When I found the mushroom Amanita muscaria being sold in candy wrappers, I uncovered legal loopholes, dangerous…

Here in The North the weather is slowly turning against the wearing of T-shirts outdoors but this week I’ve made a new shirt available based on an old design. The first Cthulhu Labyrinth came about when I was putting together pages for a Cthulhu calendar in 2012. In the end it didn’t get used for the calendar but the design stuck around even though I was never entirely satisfied with it. My recent work on the new edition of The Haunter of the Dark has had me going back through all my…

Hungarian artist István Orosz has directed fifteen short animated films to date, and co-directed three more, yet he’s known more for his drawings than his films, especially those works which follow MC Escher by combining a careful graphic technique with an exploration of optical illusion. Orosz’s artistic interests naturally extend to his animations which have never been easy to see online despite so many of them being relatively recent productions. A Kert (The Garden, 1993) is a recent arrival…

Boris Artzybasheff’s art was rediscovered in the 1980s by a new generation of American cartoonists who were delighted by his illustrations of anthropomorphic machinery and other technological artefacts. These were the illustrations which made Artzybasheff popular with advertisers and the commissioners of magazine covers in the 1940s and 50s, and their continued popularity today has tended to overshadow his earlier book illustrations, in the same way that W. Heath Robinson’s drawings of…

Exhibition poster, 1970. • RIP Peter Max, an artist who made the popular manifestations of psychedelic graphics near-synonymous with his own name which was always typeset and prominently displayed with a copyright symbol on his printed creations. Max’s formulation of the artist-as-brand was so extensive he makes those who attempted similar things look like slackers. Even Salvador Dalí didn’t have his own breakfast cereal. Hippy transcendence fused with naked commercialism. More Max: The 1971…

A pair of short films connected more by technique than content, being playful arrangements of stock footage accompanied by music. A Movie (1958) was the first film made by artist Bruce Conner, and is usually described as being one of the first films to draw attention to the medium itself. Film-makers have been foregrounding film techniques since the silent days but Conner pulls apart established conventions: putting title cards in the wrong place, mixing comic montages with scenes of real death…

Six years ago I put together a post of links to online sources for all of Harry Clarke’s major works of illustration. His first illustrated book, Fairy Tales of Hans Christian Andersen, was among these but the best link I could find at the time was to a set of scans at Flickr which didn’t include things like the board illustrations. (And Flickr is a generally unstable host for anything.) The images here are from this page which was added recently to Wikimedia Commons, and are taken in turn from…

La voix des airs (1931) by René Magritte. • “Gangsters is to the 1970s what The Prisoner was to the 1960s—a playful, knowing and mildly crazed production but today it bears an important warning from the past to us.” John Quin on the extraordinary vitality of Philip Martin’s Play For Today and the BBC drama serial spun-off from it. • New music: Juxtapositions by Boddy | Scanner; Embodied Shadow Of Thy Secret Mind by Philippe Blache; Light on Water by Modern Apartments. • At Public Domain Review:…

The first minute of this Franco-German documentary doesn’t present a title in English but the French title, L’écrivain perché, refers to Le Baron perché, one of Italo Calvino’s earliest novels which English readers know as Baron in the Trees. The novel isn’t the first of Calvino’s flights of fancy—The Cloven Viscount preceded it—but in borrowing its title the documentary suggests that the tree-dwelling Baron’s new way of living and viewing the world was personally significant for its author,…

Aspects de la nature: La Baie (1897). Henri Rivière (1864–1951) was a French painter and printmaker whose Thirty-six Views of the Eiffel Tower (1902) is one of my favourite picture series, a Parisian response to Hokusai’s Thirty-six Views of Mount Fuji. Rivière’s series is beautifully done, printed in autumnal hues, bound in boards that combine Art Nouveau design with the traditional styling of Japanese books, and with each print signed with a small red monogram. The same monogram—or a…

Design by Randoll Coate for the Labirinto Borges, a hedge maze at the Giorgio Cini Foundation, Venice, which was renovated earlier this year. • “Code was probably our most overtly political record, which is interesting, touring and playing it in these very different but scary political times.”​ Stephen Mallinder of Cabaret Voltaire talking about the experience of touring America again. • At The Daily Heller: A look at the work of designer/illustrator George Hardie whose five-decade career is to…

Paul Vincent Woodroffe (1875–1954) was a British illustrator and stained-glass artist, a kind of British equivalent of Harry Clarke in that he seems to have spent more time creating stained glass than he did illustrating books. Woodroffe was also an exact contemporary of Aubrey Beardsley, and both artists provided illustrations in 1897 for The Parade, a heavily-illustrated gift book of stories for children. I’ve known about Woodroffe’s illustrated Tempest for some time but I’ve had to wait to…

There’s a worthwhile documentary struggling to be born in this film which is compromised by its hyperbolic title and a running time of 48 minutes, not nearly enough to contain a history of science fiction, past and present. I’m not a media historian so I can’t say whether this was the first serious examination of written science fiction made for British TV but if it wasn’t there wouldn’t have been many that preceded it. It’s Fantastic! It’s Futuristic! It’s Fatalistic! It’s Science Fiction! was…

Cover design by Jim Jupp, art by Arik Roper. • New music: Sorcery by Belbury Poly, or “The Belbury Poly” as the credit on the cover art has it. The description of the forthcoming release says “it grew from [Jim] Jupp’s love of early to mid-80s electronic music and a rediscovery of how that music had soundtracked his childhood love of all things sci-fi and fantasy. It’s moody and melodramatic electronica rendered in bright and evocative 80s sounds.” And concerning the cover art there’s this:…

Mugwump (mŭg´ wŭmp). An Algonquin word meaning a chief; in Eliot’s Indian Bible the word “centurion” in the Acts is rendered mugwump. It is now applied in the United States to independent members of the Republican party, those who refuse to follow the dictum of a caucus, and all political Pharisees whose party vote cannot be relied on. —Brewer’s Dictionary of Phrase and Fable, 1954 Such is the usual explanation given for the origin of the word “mugwump”, a term better known today, of course,…

I was amused when I opened this new arrival to see a reproduction of the picture which is currently being used as this month’s blog header. The coincidence confirms that this is my kind of book, being a collection of paintings, drawings and engravings of the mysterious and recondite throughout the ages. The Art of the Unknown continues the format that S. Elizabeth began in 2020 with The Art of the Occult, then continued with The Art of Darkness and The Art of Fantasy. If you’ve followed any of…

Crivelli’s Room I (1967) by Gillian Ayers. • “This is the first film ever made about HP Lovecraft—and almost no one has seen it. Shot in 1989–90, it features unique interviews with Lovecraft’s friends and colleagues. It has sat unfinished for more than thirty-five years. We need your help to complete it and release it for the first time.” Lovecraft: When the Stars are Right, a documentary directed by Seán Martin, is asking for funding assistance to help digitise the extant footage. Watch the…

Giving this 30-minute curio a “film by…” designation is a bit of a stretch but it was co-written by artist Mati Klarwein and also directed by him. Milik was filmed among the towns and desert landscapes of Niger in 1972, and is a rambling thing that’s not easy to comprehend if you’re trying to do so while the all-French voiceover is being haltingly auto-translated. The film was a creation of members of the Deyá art community in Mallorca where Mati Klarwein spent his later years. The scenario is…

1955. Cover art by Jane Sinnickson Flora. The programme for the symphony (1845 version) by Hector Berlioz: Part One: Daydreams, Passions The author imagines that a young musician, afflicted by the sickness of spirit which a famous writer has called the vagueness of passions (le vague des passions), sees for the first time a woman who unites all the charms of the ideal person his imagination was dreaming of, and falls desperately in love with her. By a strange anomaly, the beloved image never…

Total solar eclipse over Zaragoza, Spain, 12th August, 2026. Photograph by Ruiyu Zhang. • Kenneth Anger (again), in a transcript for another KPFA radio interview, in which we Anger have mentioning HP Lovecraft. Not a major revelation in itself but it’s not something I’ve seen before. On a related note, Anger wrote to August Derleth in 1947 asking permission to adapt The Dreams in the Witch House for one of his films. Another tantalising might-have-been from the Anger filmography, along with his…