2 hours ago · Culture · hide · 0 comments

I recently read Will Manidis’ Against Taste and found myself nodding along to much of that essay: The taste thesis, at its deepest and most simple structure, reverses this order. It places man at the end of the chain of creation, evaluating what has already been generated, rather than at the beginning, participating in the generation itself. It makes man what he has been slowly becoming for a century: a critic of creation rather than a co-creator. A consumer at his core. This is taste in its most terminal form. The collector doesn’t look at the painting and judge it. The collector reads the critic, then looks at the painting through the critic’s eyes. The painting is not an object in its own right but a theory to be validated. The taste is not in the looking. The taste is in knowing which theory is fashionable to subscribe to. Strip the transcendent out and what remains is raw consumption. You are no longer participating in a project that exceeds you. You are furnishing a room. The…

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