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by Cláudio Alves Adèle Exarchopoulos won a César for Jeanne Herry's ALL YOUR FACES. Will her new collaboration with the director, presently at Cannes, produce similar results? The 2026 Cannes Film Festival is drawing to a close, so I should probably hurry up with this corresponding Cannes at Home program. In the past few days, a number of titles have come and gone on the Croisette, most of them eliciting wildly divisive reactions. Nobody seems to agree on the merits of Na Hong-jin’s Hope, and…
by Elisa Giudici Cate Blanchett. Photo © Elisa Giudici Cate Blanchett came to Cannes ostensibly to spotlight the Displacement Film Fund, the initiative she co-founded with the UNHCR to support displaced filmmakers and stories about forced migration. But the conversation quickly expanded into something broader: a sharp, funny, deeply thoughtful reflection on acting, authorship, AI, artistic risk, and the changing state of cinema itself...
by Elisa Giudici FJORD from Cristian Mungiu Cristian Mungiu has built an entire career around moral instability, yet Fjord feels particularly thorny. The Romanian filmmaker’s latest Cannes Competition entry begins as a family drama rooted in a real-life custody case before gradually revealing itself as something much larger and far more uncomfortable: a film about the impossibility of reconciling competing moral systems inside supposedly enlightened societies. The Palme d’Or-winning filmmaker…
by Cláudio Alves Long before he was selected for the Cannes Main Competition, Rodrigo Sorogoyen became an Oscar nominee with his MOTHER short film. The race for the Palme is heating up… is what you’d assume we’d be saying by the time half the Main Competition had screened. However, this year isn’t like most years at Cannes. Or maybe, it’s an edition where issues that have prevailed for years are finally becoming too noticeable to politely ignore. Thierry Frémaux’s favorite auteurs aren’t…
by Cláudio Alves Did the film student who directed PASSION dream he'd one day be a Palme d'Or frontrunner? The 79th Cannes Film Festival continues to unfold on the French Riviera, and things aren’t looking great for Fremaux and his team of programmers. Some of the most acclaimed titles are premiering in parallel sections, while the Main Competition keeps delivering mixed stuff or provoking outright negative reactions. Asghar Farhadi has probably never received worse notices than the ones he’s…
by Elisa Giudici There’s something genuinely startling about seeing the sprawling sci-fi epic Hope in Competition at Cannes. Not because genre films are unwelcome on the Croisette anymore; that battle has largely been wo. The surprise is that Na Hong-jin’s film embraces blockbuster language so wholeheartedly. This is not elevated horror masquerading as arthouse cinema, nor a restrained science-fiction allegory carefully calibrated for festival audiences. Hope is loud, enormous, messy, violent,…
by Elisa Giudici Pawel Pawlikowski has always been a filmmaker of absence. Empty space, withheld emotion, silence so heavy it seems architectural: his cinema has long depended less on what characters say than on what lingers unresolved between them. Fatherland may be the purest expression of that sensibility, a film reduced to such an essential form that it almost appears to vanish while unfolding, only to return afterward with quiet, devastating force. At first, it can seem unexpectedly modest…
by Nathaniel R John McRae & Mihir Kumar starred in "Prince Faggot". Photo © Marc J Franklin As many readers know a few members of Team Experience belong to GALECA the Society of LGBTQ Entertainment Critics though most of us vote on the film and television side. I have the privilege of also being a voter in the society's Dorian Theater Awards, which celebrate both Broadway & Off Broadway productions. The nominations were announced this past week for the 2025-2026 theater season which wrapped up…
by Elisa Giudici TEENAGE SEX AND DEATH AT CAMP MIASMA. MUBI By the time Teenage Sex and Death at Camp Miasma premiered at Cannes, Jane Schoenbrun had already become something close to a generational folk hero for younger cinephiles. You could feel it inside the Debussy theater before the lights even went down: critics squeezed onto theater steps, festival attendees treating an Un Certain Regard opener like the hottest ticket on the Croisette, audiences buzzing less about Cannes prestige than…
by Elisa Giudici IN WAVES With Cannes now in full swing, let's rank the four opening titles from Un Certain Regard, Director's Fortnight, Critics Week, and Out of Competition. 4. In Waves by Phuong Mai Nguyen (France/Belgium) [Opening Film of Critics’ Week]In Waves is probably the most polished and emotionally accessible of the festival's four openers, which, for my taste, also makes it the least exciting. The film follows AJ, a shy teenager obsessed with sketching and skating, whose world…
by Cláudio Alves Could Koji Fukada's THE REAL THING have been a Palme contender in 2020? The second day at Cannes came and went, and the race for festival gold is on. Not just the prizes chosen by Park Chan-woo’s jury, mind you. In a rare move by the programmers, the Main Competition opened with two films that are also up for the Queer Palm. They are Koji Fukada’s Nagi Notes and Charline Bourgeois-Tacquet’s A Woman’s Life. Neither was effusively received, but there are pockets of praise, even…
by Elisa Giudici Peter Jackson. Photo by Elisa Giudici At the end of the ’80s Peter Jackson arrived in Cannes for the first time as a self-taught splatter filmmaker from New Zealand and immediately got thrown out of the Palais for wearing shorts. Nearly four decades later, he returns to the Croisette as the director behind one of the most successful trilogies in cinema history. The director is still talking about movies with the enthusiasm of somebody who never stopped being the kid borrowing…
by Elisa Giudici Park Chan Wook and Chloe Zhao © Elisa Giudici What kind of festival the 79th Annual Cannes Film Festival will be is something the films in Competition and the side sections will ultimately determine. But there’s little doubt that the final perception of Cannes - and the line between winners and losers - will also be shaped by the jury presided over by Park Chan-wook, who today faced the traditional opening press conference. What became immediately clear is how prepared every…
by Cláudio Alves The 79th Cannes Film Festival is upon us and, as ever, Elisa is on the ground to report directly from the Croisette. Sadly, most of us can only watch from afar. For years, I struggled with festival-related FOMO, but one little annual series here at The Film Experience has helped combat it. Obviously, I’m referring to “Cannes at Home,” the rubric I’m happy to revive once more, perusing past films from the various cineastes in the Main Competition that are widely available. Alas,…
by Nathaniel R While I made a real effort to catch all the musicals this season I'm weaker on the plays having seen only 5 of the 18 that opened this past season. Let's talk about the nominees. I'll be sure to mention any film connections to keep the less theater-inclined interested...
by Cláudio Alves Every year, so-called provocateurs come out of the woodwork with films that promise to shock audiences, challenge norms and push boundaries, leaving behind broken taboos in their wake. And yet, true transgressions are few and far between. More often than not, viewers are met with the pretension of risk-taking on the part of artists too timorous to take any actual risk. When a picture comes about and honestly earns these descriptors, one should take note. So, please note Elliot…
by Nathaniel R While The Film Experience is about, well, the movies, longtime readers know that I like to throw in a little live theater whenever possible. And these days as with TV and Film, the line between mediums is ever blurry with stage shows making it to screen or TV and vice versa or both unconnected when they are inspired by the same novel. Though I’ve always tried to be a somewhat regular theatergoer, funding and time often refuse to comply. But during the 2025-2026 season I hit the…
by Cláudio Alves Should Diane Keaton have been double-nominated, in 1977, for ANNIE HALL and LOOKING FOR MR. GOODBAR? With their new rules, the Academy has upturned quite a number of Oscar traditions and stats. For example, actors can now fill more than one slot in each category, receiving nominations for multiple performances in a race. Looking back, it’s fun to speculate about what performers might have achieved this. Indeed, I might write something on that matter later on. Immediately,…
By Ben Miller Creating distance and disorienting your audience is usually not what a filmmaker strives for, especially in their feature-length debut. Luckily, director Sophy Romvari is able to utilize her own fractured memories to tell a deeply personal story in her devastatingly exceptional debut Blue Heron, now playing in limited release. In our current entertainment landscape, plot points need to be reiterated, all needs to be revealed, and catharsis must be achieved. Romvari has no…
by Cláudio Alves Ideally, trailers and other promo are meant to sell a movie to their prospective audience, enticing and seducing butts into seats. Ideally, they'll build anticipation for a good time. Ideally, they don't make dread pool in the bellies of those who might have been excited about the project before they laid eyes on its ads. And yet, the trailers for The Devil Wears Prada 2 almost dared us to be optimistic in the face of an obvious nostalgia-drunk cash grab like so many others…
by Cláudio Alves You may have noticed that, for the past couple of weeks, The Film Experience has been overtaken by one persistent question: Who should be the next Amy Madigan? We’ve done a team-wide vote and two readers’ polls, highlighting both men and women. At this point, you might be a tad tired of this business. On the other hand, your picks were a nice clue into what performers the readership might be thinking of and harkening for, write-up-wise. With that in mind, it feels like a good…
by Team Experience LIAM NEESON, HARVEY KEITEL, EDDIE MURPHY, and WILLIAM H MACY are just four of many actors we'd love to see stage an Oscar comeback. Hello dearest readers. Inspired by Amy Madigan's amazing Oscar comeback we've spent the last month fantasizing about another such occurence. Because our audience is less into actors than actresses, we did a more abbreviated version of the mammoth actress poll / team ranking / reader ranking we recently posted in three parts. Today it's all in…
RuPaul and Miley Cyrus welcome you to the 76th Hunger Gam... I mean the season 18 Drag Race Grand Finale! CLÁUDIO ALVES: And just like that, it’s over. Season 18 started pretty shapeless, with a scrappy, talented cast who exuded early Drag Race vibes, only to face late Drag Race challenges that did little to capitalize on their energy. The scandal of the Rate-a-Queen Talent Show two-parter suddenly gave us narrative propulsion that elevated the second half of the season until that dreadful…
By Ben Miller As I left my screening of Antoine Fuqua's Michael, I heard a woman exclaim, "That was exactly what I wanted!" This is the overall goal of this film. You will learn absolutely nothing about Michael Jackson the man, but you will get every hit song with loud and vibrant performances. Frankly, Michael is critic-proof. No matter how much I go on about my multitude of problems, you just won't care. It looks like Michael Jackson on screen, using his actual music, inspired by his…
Pt 1 - Team Experience Votes Pt 2 - Team Experience Winners Pt 3 - AT LONG LAST THE RESULTS OF THE READERS POLL... WHO SHOULD BE THE NEXT AMY MADIGAN? ELISABETH SHUE in Leaving Las Vegas (1995). What would it take to get her a comeback role? We've spent the last couple of weeks bsessing over a question from a reader (thanks, Brian!) and we got so into discussing it at TFE HQ that we asked all of you to vote on the same question. The Team and Readers were unaware of each others vote totals…
This year's reunion lip-sync smackdown has a trickier format than usual. NICK TAYLOR: After several episodes of confusing judging and unsatisfyingly resolved lip-syncs, this RuPaulaPaRuZa felt like a return to form for Drag Race as a well-judged variety special. The ultimate top two and winner are maybe not surprising, but the talent on display is immense, and I haven’t had this much fun watching season 18 in a few weeks. As our friend Ale said, it’s a bit of a double-edged sword to see thes...
by Cláudio Alves THE BRIDE!, Maggie Gyllenhaal | © Warner Bros. The Team Experience had a lot of fun voting on that “Who should be the Next Amy Madigan?” poll, but, lovely as the final results might be, there will always be something to gripe about. For me, the major complaint is that I was the only fellow to pick Jeannie Berlin for their top ten, a grave injustice that warrants a write-up all by itself. If you don’t buy that excuse, then there’s The Bride!’s VOD release, where this erstwhi...
by Nathaniel R Almodóvar will be competing for the Palme for the seventh time with "BITTER CHRISTMAS" The Cannes competition lineup is here. There's been a lot of scuttlebutt online that it's disappointing. I don't know how that can be the case yet when the films are unseen. It is true that it is very expected in that it is mostly auteurs that they have programmed in the past but that is literally ALWAYS the case since Cannes isn't exactly known for straying from their favourites. What's i...
by Team Experience BARBARA HERSHEY made our Top Five. But who else did? Read on! In Part 1 of this Oscar-fantasy exercise we laid the groundwork for the actress-obsessive question of the moment and shared thoughts on several actresses we are rooting for in terms of an unexpected / winning Oscar comeback. Now on to the tippity top vote-getters from our Team member polling. Tomorrow in Part 3 we'll talk about the collective vote from the 100+ readers who took the poll. A quick catch up from ...
