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George Chapman’s Bussy D’Ambois (c. 1604, pub. 1607) is another play performed by one of London’s boys’ companies. It is a bloody, crazy tragedy disguised as a history, a strange blend of the static Senecan and dynamic Elizabethan play. Chapman’s verse is allusive and compact – I sure needed my edition’s notes – and in places magnificent. It was written for an audience that wanted this kind of verse, this density of reference, and that had a sophisticated understanding of theatrical convention. Sophisticated, jaded, I don’t know. Anyway, they paid more than Shakespeare’s audience, and not just to sit in a theater with a roof. No groundlings at Bussy D’Ambois. Incidentally, reading in this period (1598-1608) the importance of the adult vs boys’ company distinction. The ambitious, highbrow, satirical, meta-textual plays were at the boys’ theater. Jonson, Marston, Chapman, they wanted the intellectual prestige of the boys’ companies. Meanwhile, over at the crass commercial adult company,…

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