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Cranes Wings Of JoyGet It At DiscogsFrom the quiet, descending strings and woodwinds at the start of "Watersong," which launches Cranes' first proper full-length album, things are at once in sync with, and far removed from, the deep murk of the group's earliest days. The gripping, chilling atmosphere that Cranes dwell in hasn't moved an inch, but in terms of approach, it shows that on the (very well) self-produced Wings of Joy, the quartet has continued to expand its palette. One thing to note is in the album credits: Matt Cope may have been initially invited in for live bass playing, but it's Alison Shaw who plays the shuddering, ominous deep notes throughout, and effectively at that. Check out her opening work on "Living and Breathing." It's a simple enough pattern, but delivered in such a context that it immediately conjures up a nervous, threatening mood. Jim Shaw's relentless percussion, never overbearing but always moving with a stately, ritualistic tinge, and his piano and…

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