TIFF 51: Hamaguchi’s “All of a Sudden” is the best film of the year, bar none

by Cláudio Alves Everyone gets to vote for the TIFF People’s Choice Award, even the press. And while I can’t reveal some personal award votes later in the season, I can safely tell you my pick this one time. I voted for Ryûsuke Hamaguchi’s Franco-Japanese production of All of a Sudden. The best film at TIFF, it’s also my favorite world premiere so far into 2026, a masterpiece that feels like a return to basics for a director whose early works owed much to the likes of Antonioni and Rohmer. Well, a return to basics that also runs over three hours long and contains some of the most direct discussions of Marxist theory you’ll see in a film, of this or any year. But please, don’t get apprehensive when you read those words. For all the putative intellectualism coursing through its veins, All of a Sudden is a deeply humanistic, even accessible, text that should have something to say to, and resonate with, almost every viewer out there. I confess that, as the end credits rolled, I hurried…

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