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Click here to book One of these streets’ most-esteemed long-term residents summoned me to view an artefact that few have seen, the fabled Spitalfields Bowl. Engraved by Nicholas Anderson, a pupil of Laurence Whistler, it incarnates a certain moment of transition in the volatile history of this place. I arrived at the old house and was escorted by the owner to an upper floor, and through several doors, to arrive in the room where the precious bowl is kept upon its own circular table that revolves with a smooth mechanism, thus avoiding any necessity to touch the glass. Of substantial design, it is a wide vessel upon a pedestal engraved with scenes that merge and combine in curious ways. You have the option of looking down upon the painstakingly-etched vignettes and keeping them separate them in your vision, or you can peer through, seeing one design behind the other, morphing and mutating in ambiguous space as the bowl rotates – like overlaid impressions of memory or the fleeting images…

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