Life Goes On After September 1939

From Stay Alive! Berlin 1939-1945, by Ian Buruma (Penguin, 2026), p. 19: New plays were being written for the theater, often by hacks whose odes to the healthy German spirit would not have had much success in Berlin before 1933. German and foreign classics were widely performed, including Shakespeare’s plays. In September 1939, as well as a play by Goethe (Iphigenia in Tauris) at the Volksbühne, and Tosca at the Volksoper, and Der Opernball (The Opera Ball), an operetta set in nineteenth-century Paris, at the former Metropol Theater, home of the Weimar-period avant-garde, there was also a play by Noël Coward. The pages of the Berliner Illustrirte Zeitung featured photographs of revues and burlesque theaters, with chorus lines of seminude dancers kicking up their legs, Broadway style. On the surface, it would seem, Berlin was still Berlin, and not a huge amount had changed since the free-spirited Weimar days, except, of course, for the free spirit. Cabarets had lost their bite and…