‘Everybody Digs Bill Evans’

On its own terms, Grant Gee’s Everybody Digs Bill Evans is an extraordinary film, fully deserving the accolades and awards coming its way. Adapted from Intermission, the 2013 novella by the Welsh writer Owen Martell, it concentrates on the months in 1961 following the car crash that took the life of the bassist Scott LaFaro, depriving Evans of his closest musical partner and throwing him into a a severe depression. The Norwegian actor Anders Danielsen Lie delivers a finely drawn portrait of Evans’s sometimes mute anguish, compounded by his addiction to heroin and complex relationships with a lover and with his family. Bringing the famous cover photo of Sunday at the Village Vanguard (the artist as ascetic, bespectacled intellectual) to life, his performance is fully supported by Valene Kane as Ellaine Schulz, Evans’s girlfriend, Barry Ward as his older brother, Katie McGrath as his sister-in-law, Bill Pullman as his father, and Laurie Metcalf,as his mother. All are superb, but Pullman…