Zosha Warpeha’s I grow accustomed to the dark is an inquiry into what it means for a body to become an instrument and for an instrument to remember the body. The Hardanger d’amore does not sit across from her as an object. It leans inward, absorbs breath, and answers pulse with vibration. A background in Norwegian folk […]
No comments yet. Log in to reply on the Fediverse. Comments will appear here.