I haven’t watched The Odyssey, but my respect towards Christopher Nolan is now lower than the floor of the Aegean Sea

In all fairness, writing a (negative) review about a film I have not seen nor I plan to watch is at least disrespectful and discourteous towards myself and the reader. However, the discourse of this post is not about how bad I find The Odyssey (2026; Christopher Nolan) to be and why so; conversely, – about my stance on how Christopher Nolan magniloquently keeps morphing the taste of the public in rather negative ways. For the past how many years(?) Christopher Nolan has been looked upon as a doyen of cinematic cinema with his mind-bending time-shifting meanderings. And albeit I can understand the self-endorsed pomposity of telling how you immediately understood what Tenet (2020; Christopher Nolan) was about or how entertainingly facetious other of his films can be, I cannot understand how (self-proclaimed) art can be let to being cropped and cut in order to prioritize profit over the (self-avowed) artist's view, or how art can favour cheap representation in order to accommodate the…