1 day ago · Writing · hide · 0 comments

Jonathan Baylis has been writing comics for about a decade now, working with cartoonists to relate anecdotes from his life in the tradition of Harvey Pekar. What's changed for him over the years? Well, as evidenced by the latest issue of his anthology series So Buttons, he's starting to think like less as a writer and more as an editor. What I mean by that is that the way he sequences has become more sophisticated and his themes are more emotionally resonant. In So Buttons #15 (with a cover by C.M. Campbell that pays homage to a Barry Windsor-Smith cover from a Machine Man miniseries in the 80s), Baylis quickly establishes his theme as fathers and sons. Frequent collaborator Noah Van Sciver is a perfect choice for a loose and expressive story about a younger Baylis going with his father to visit his father's old neighborhood in Brooklyn. The message of the story ("be yourself") was a little pat, but the details of his affection for his father, along with how Baylis was frequently…

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