The Sunday Intertitle: Polyphemus Perversity

This 1911 L’ODYSSEA is pretty good from a spectacle viewpoint. It’s from that naive period of cinema where the intertitles tell you want you’re ABOUT to see, relieving the images of the burden of telling the story. It’s a bit like a very thin book with massive illustrations. Does this, admittedly in some ways primitive, […]