The Made-Up Face.

Cal Revely-Calder (who has an interesting Three Things substack) writes about faces in the New Yorker (archived); I was enjoying its brio and historical tidbits, but when I got to this passage I knew I had to post it: Yet there’s another side to this coin. Our vocabulary also speaks of invention, even artifice. The English word “face” derives from the Latin facies, implying a created form; so does the French visage, from videre, suggesting something seen from without. “Mask,” “masque,” “mascara,” “maquillage,” and their European relations seem to be etymologically linked, and carry long-standing associations with concealment, distortion, pretense. For Socrates, the art worth prizing was the cultivation and preservation of natural beauty; we’ve happily overwritten it with what he treated suspiciously as kommōtikē, the art of changing how one looks. Even “person,” along with “impersonation” and “personae,” derives from persona, a theatrical mask through which classical actors spoke. The…