Horizons(ecm) 0 ▲ Between Sound and Space 3 hours ago · Music · hide · 0 comments Released in 2000 by Universal Music France in collaboration with ECM Records, Horizons was conceived as a promotional introduction to a catalogue that had long resisted easy classification. Rather than assembling familiar peaks, it traces a quieter borderland where jazz, folk traditions, chamber music, and improvisation exchange passports without surrendering their origins. The collection leans toward ECM’s acoustic and global currents, yet its real subject is passage between cultures and between inner life and the silence that gives every sounded note consequence. The title would later find an echo in the 2007 oral history Horizons Touched, but here the horizon is less a destination than an ethical limit, a line approached through listening and never possessed. Anouar Brahem’s “Barzakh,” from his 1991 ECM debut of the same name, opens that territory with oud and Béchir Selmi’s violin suspended in deep reverberation. The Arabic title suggests an interval between worlds, and the music… No comments yet. Log in to reply on the Fediverse. Comments will appear here.