Bobby Prince, '90s FPS game musician extraordinare, has died at 81. His work in Wolfenstein 3D was fine (especially The Ultimate Challenge) but clearly all of a particular genre, and his contributions to Duke Nukem 3D and Rise of the Triad were solid but overshadowed by Lee Jackson's (exhibit A: Grabbag; exhibit B: Prince's main theme but Jackson's KISS OFF). Doom, on the other hand ... well. It's not just that these were solid gamer tracks, it's that they sounded good on just about anybody's sound card. We had high quality MIDI on Mac while you schlubs struggled with Sound Blaster Pros and it still didn't sound like a$$. That's talent. While everybody will name At Doom's Gate (E1M1) as his best, I claim it is only merely his most memorable, and solely because everyone on the whole stinking planet has played it at least once. Instead, I proffer I Sawed The Demons (E2M1), Untitled (E3M1), and the reworked Wolf 3D holdover Evil Incarnate (Doom II MAP31) as his heaviest and meatiest,…
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