1 hour ago · Art · 0 comments

Something different today. A piece I wrote for my defunct Vintage Sleaze blog over ten years ago. If ever there was a cartoonist from the 1950s deserving a retrospective showing at the Drawing Center, it would be Bill Kresse. As modern as a Herman Miller Eames chair and just as timeless, his early gag work for sleazy digests stands out for many reasons. Lush and creative, the women all sharp, angular shoulders and heavily detailed dress, the fellas all whirring, confused and excited motion, fevered and flushed. All players in a Kresse panel are happy to be alive and participating in this retro-human game. Fingers and heels like spikes on the dames, gunboats as wide as shoeboxes on the guys. Several things distinguish a Kresse cartoon from the 1950s...One, he always took time to put glass over the modern art on the wall (as if he aspired to the same treatment, which he now deserves) and the large, undulating ribbons of bold black ink which surround his characters in elegant swerves.…

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