Yesterday the Hippodrome Silent Film Festival (hereafter: Hippfest) got off to a grand start with a trio of northern European heavy dramas — much more fun tha I’m making it sound. Hopefully my programme notes for Victor Sjostrom’s THE OUTLAW AND HIS WIFE do a better job. Also showing were Jean Epstein’s poetic and hallucinatory […]
No comments yet. Log in to discuss on the Fediverse