For pride month, straight critic Ben Miller takes a look back at a gay film he otherwise would have never seen When I decided to begin this series, I committed myself to not just dip my toe in. I needed to dive headfirst into the gayest possible film I could think of. It would be disingenuous to talk about something as tame or commercially viable as Brokeback Mountain, Carol, or Moonlight. This was going to be a celebration and discussion of something the straight world does not and will not seek out. I chose correctly.
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