As I dive deeper into production music, one of the things I'm hearing is that they really don't want AI, and I think it’s because of the ownership. A lot of companies are claiming feel and the magic and all that stuff, but I think it's ownership. There are audio tags inside these songs, outside of our hearing, that travel with these things. So anyway, they are recognizable by feel, but also physically recognizable. Apparently, people who do placements have filters and stuff like that, where they can send these through. And they have to. And the more I read, the more it seems like people are trying to game the system. It's interesting with this, because I don't know if they're just trying to make money, or if they want to be a composer and shortcut it. Both are pretty despicable. Although commercial music really can't be considered art, you're still using your artistic whatever. The same things I use to make music for music's sake are the same tools that I'd use to sit down and make…
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