I understand the important protection and handling convenience frames provide. And I get why it’s cringe to call it rawdawging, but I have stayed wanting more art without frames. A couple of months back, after that frameless Da Messina situation, Claudio Santambrogio sent along a link to a fascinating semi-frameless show I’d completely missed at SMK in Copenhagen. There I Belong. Hammershøi by Elmgreen & Dragset was a group show of Vilhelm Hammershøi paintings along contemporary artists curated by Michael Elmgreen and Ingar Dragset in 2019. The duo highlighted the ominous feelings of Hammershøi’s interiors and the sense of foreboding they could engender. Three doorways: Installation shot of Hammershøi and Ruff in There I Belong, 2019, at SMK, photo: Inge Pollet One particular pairing jumped out—actually, that’s too energetic, maybe it bubbled over: a 1980 Thomas Ruff Interieur photo of a door and Hammershøi’s 1888 painting, Interior, The Old Stove. Albertinelyst, which is also largely…
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