2 hours ago · Art · 0 comments

I did not see David Hammons’ sprawling 2019 exhibition at Hauser & Wirth Los Angeles in person, and I only flipped through the catalogue/artist book when it came out last year. But I had to move it recently from its loadbearing position at the bottom of its stack, and give it the full attention it demands. Honestly, it’s a stunning retrospective feast I’m not sure any of us actually deserve. Along with Michael Crichton’s 1977 Jasper Johns catalogue and the Smithsonian’s Felix Gonzalez-Torres (Always To Return), it’s now only the third exhibition catalogue I’ve read straight through, cover-to-cover. And there aren’t even any words. “How many of these did you make?” A wall text next to a David Hammons abstract painting covered by a street tarp at Hauser & Wirth in 2019, as published in the book at the exact moment I wondered. Well, that’s not entirely true. The H&W installation photos that fill most of the second half of the 404-page book pick up the handwritten labels and instructions…

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