This makes me think of the time before we had color photography and cinematography. Somehow, we could transpose all of those shades of black and white into a full spectrum of color, and some people still prefer their photographs and films that way. (I say this as a French hornist who was constantly having to transpose from one key to anothe.) Selected readings "Color vocabulary and pre-attentive color perception" (2/23/09) — P. Kay "It's not easy seeing green" (3/2/15) "Grue and bleen: the blue-green distinction and its implications" (10/4/19) "The colors of the seas and the directions" (4/28/21) "Synesthesia and Chinese characters" (39/17) [Thanks to John Rohsenow]
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