Cannes: Pedro Almodovar's "Bitter Christmas" plays a dangerous artistic game

by Elisa Giudici Leonardo Sbaraglia stars in 'BITTER CHRISTMAS' Pedro Almodóvar has spent the last few years stripping away the protective layers between himself and his cinema. Ever since Pain and Glory, his films have stopped merely borrowing from autobiography and started openly feeding on it. The characters no longer resemble fragments of the director; they practically announce themselves as extensions of him. Bitter Christmas (Amarga Navidad) pushes that process to an almost uncomfortable extreme. It is simultaneously a film about artistic exhaustion, physical decline, creative addiction, and the terror of becoming irrelevant while still alive enough to notice it happening. For much of its runtime, though, the film appears to be failing. Scenes drift without urgency. Narrative threads open and dissipate. Characters talk endlessly without ever fully arriving anywhere emotionally. Even desire, once the volatile lifeblood of Almodóvar’s cinema, feels strangely absent, reduced to…

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