Photography has always involved a process of development, an interpretive stage that sits somewhere between capture and presentation. From the chemical alchemy of early darkrooms to the algorithmic polish of modern software, photographers have consistently shaped their images in pursuit of clarity, mood, and impact. My recent heavily cropped, high-ISO image of a Dartford Warbler was, by any technical standard, far from ideal: noisy, soft, and lacking the crisp detail one hopes for in wildlife photography. So I did what photographers have always done, I tried to improve it. Only this time, the tool I used was generative AI. And that’s where things become less straightforward. Using a generative system to develop the image did not simply refine what was already there. It introduced detail, feather structure, tonal nuance, and even subtle changes in the bird’s posture, that were never actually captured by my camera. The result is, undeniably, a more visually compelling image. But it is…
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